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Diary

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Production notes from the Director, Amy Pickard
 


 

March 12, 2003

Hooty Hoot from the land where palm trees sway!  Hope all of you are well and happy. There hasn’t been an awful lot going on in glennmovie land due to the fact that the evil flu that I thought I had turned into full-blown pneumonia!  A young lass such as myself was shocked to discover that I had a pensioner’s disease but there you go.  Life’s funny that way.  So, part of December, all of January and almost all of February was spent in bed, on the couch or at my doctor’s office!  I now want to burn my once beloved leopard romper suit, since it is pretty much all I have worn in the past three months.  (My roommate Suzanna calls it the ‘kitty suit’.)  It had become such a fashion staple that I actually forgot I was wearing it when I answered the door to the Fed Ex man.  Strange looks were exchanged, but I couldn’t be bothered to explain my sartorial choice.  I love the footie pajama suit since it is so darn warm.  Because I was sick over a prolonged period, I now enjoy the one zip ease of it all!  This is why white trash ladies wore (or wear) ‘housecoats’.  I remember a brand name housecoat from the local department store SEARS called ‘Zip and Dash’.  What a concept!  Sadly, I was too sick for any dashing.

I’ve decided that with the coming of a new month (March) and a renewed sense of finally feeling back to normal, I would diligently get back in the saddle with the movie.  When I first handed all of the footage over to our original editor, I merely gave him the tapes and then gave him an accompanying outline to follow.  Firmly led up the garden path by said editor, I believed that the movie would at least be 80% completed by the time he got done with it.  Well, that wasn’t the case and after feeling sufficiently swindled, I now think that I was partly to blame.  An outline simply won’t do.  (and it didn’t!)  I have to write a very specific script for the next editor to work with and I believe this will help get across what I want to say with the movie.  I know it seems odd that one would write a script for a documentary!

In order to write the script, I have to transcribe all of the tapes, enter the transcripts in the computer then do a “paper edit”.  In other words, I have to cut and paste the ‘juicy bits’, i.e. the necessary bits of the story into a script and try and sort the movie out!  I have already logged all of the footage from when I joined Glenn on the road in December and had a chance to finally properly look at the footage that two glennmovie.com volunteers shot at Glenn’s Texas shows.  I had to laugh at some of the footage that I saw from Glenn’s Dallas, TX show because the marquee outside the gig featured Glenn playing that night and then a wet t-shirt contest, also known as PJ’s Breast Fest, the next night.  What a shame they couldn’t have combined the shows… imagine all the fun!

Since my bright idea of transferring footage to audio tapes and THEN trying to transcribe them through a tape recorder went down like a lead balloon, I’m now planted in front of the TV/VCR in my room 24/7.  There I am plopped, remote balanced on one knee, while I type away at the computer, pause the tape, type, rewind the tape, play the tape, pause the tape, type., etc… Imagine doing this for about 40 hours of tapes.  Also, imagine listening to Glenn mumble/ramble… I mean speak for almost as long.  Not the easiest of jobs!  I had one glennmovie.com angel volunteer in TX kindly offer to help, but due to the bad tape quality and Glenn’s unique way of speaking, parts of the transcription looked like this: 

Amy: “So Glenn, tell me about your early days with Squeeze.”
Glenn: inaudible

I had another very lovely person volunteer to help me. So rather than transfer the tape over as I did with the TX angel, I just sent the actual videotape. I felt that I couldn’t possibly allow someone else to go through the tedious, mind numbingly boring hell that is transcribing so I immediately sent her 6 hours of tapes as fast as humanly possible!  I was a virtual blur running down to the post office for the necessary delegation.  I’m nearly finished and in spite of the pain, I wish I would have done this a year ago.  But that’s what happens when you’ve never made a documentary before!  You learn as you go!  A friend emailed me from Britain describing what I’m currently doing as “Donkey Work” and I think that I’m going to rename the movie “Donkey Work”.  That is all that it has been thus far but I’m hoping there is light at the end of the tunnel.  My pal Doug asked me what I needed to finish the movie since it’s taken over ten decades to complete and after giving it some thought, I answered with the three M’s.  Money, Manpower, and Drugs.  Okay, so that doesn’t start with an M, but it would certainly help!

I went to see a friend’s band play here in LA and ended up running into Sam Jones, the director of the documentary on the band Wilco.  The movie is called “I Am Trying To Break Your Heart” and his website is www.wilcofilm.com. I’m a huge fan of the movie and of his work so I immediately made myself a pest and began grilling him on everything that came into my head.  I was Captain Question for as long as I could corner him.  He asked me, “So have you transcribed the tapes and put them in a script?”  I nodded sagely and said, “ Oh yeah.  Of course.”  I thought this whole transcription/script thing was a new phenomenon!  He was immensely helpful and even though I only got to talk to him for about 15 minutes, we swapped some war stories and I think I learned more in that brief amount of time than I have in the last year and a half!  If only he were around to counsel me on call.

One thing I forgot to mention in the last diary update was the article that appeared in the Texas newspaper, the Austin American-Statesman.  I wrote an article on house-sitting that appeared on October 24, 2002 but I didn’t receive an actual copy of the article until rejoining Glenn on the road in December.  I knew the article had appeared since I had gotten a few emails about it on the site.  Great promotion for the movie and glennmovie.com, I thought.  A glennmovie.com visitor emailed to tell me that they loved the article, loved the website and loved Glenn.  The only hitch was that a caption in the article referred to Glenn as a “faded British Pop Star”.  Well, that’s not exactly selling GT to the public but what can you do?  Any publicity is good publicity?  A fan gave Glenn the article on his recent jaunt to Austin and Glenn laughed heartily as he handed it over to me.  There was a picture of me on the RV that Glenn had taken (he’s still waiting for the enormous check since he is now a published photographer) and the following caption:

“Semi professional house-sitter Amy Pickard used her gigs looking after fine homes to help fund her documentary about a faded British pop star’s unglamorous RV tour across America.” 

UNGLAMOROUS?  So not only did they refer to Glenn as a faded British pop star, but they decided to kick it up a notch and refer to the movie documenting an “unglamorous” tour of the US!!!  WOO!  Glenn thought it was unbelievably hilarious but I was miffed and not a little annoyed.  I suppose I can see the humor in it… but.. uh.. not that much.  I mean, okay, so we didn’t whip out the champagne and tiaras at any point on the RV but unglamorous?  RV-ers everywhere would disagree.

Onto the news of glennmovie.com friends:

I suppose the biggest news is the addition to the Tilbrook family!  Congrats all around and a hearty welcome to the world to baby boy Tilbrook! By the way, his name is not Zilbrook.  The official name is LEON.  So a big hooty hoot to Leon who rounds out the rock and roll Tilbrook triad.

My friend Tammy Glover, who is basically an unofficial producer of One For the Road, is drumming with the 80’s combo SPARKS.  I’ve mentioned her several times before in the old tour diary.  I’ve always seen a little parallel between the Sparks path and the Glenn/Squeeze path (you know the whole established artists now going the independent route thing) and have followed the latest developments in their career with great interest!  You know, music bizzy stuff like who they’ve used as their publicist and who they’ve gone with for distribution and promotion and all that anorak-y stuff.  (I’m always thinking of how Glenn might be able to benefit from their good/or even not so good decisions in the past!)  The Sparks boys are just the nicest guys in the world and they have worked super hard on their fantastic new album “Li’l Beethoven” which has been getting rave reviews the world over!  After working harder than a hard working type thing, the good news is that it looks to have paid off and Sparks are now signed to Chris Blackwell’s new label: Palm Pictures!  For those of you not in the music biz know, Chris Blackwell is the guy who founded Island Records.  He was buds with Bob Marley and is a Huge Industry Giant while maintaining his rock and roll grooviness, and apparently, he LOVED the new Sparks album and wanted to sign them immediately! Cue glasses raised in celebration and a little European tour!  SPARKS play the Royal Festival Hall in March so if you live in London, hop on down!  Now I wonder if Mr. Blackwell is a Squeeze fan!  I know this former lead singer who is really great….perhaps he could fly me down to his mansion in the Bahamas to discuss funding a documentary…..oh well...we can but dream.  Visit the SPARKS website www.allsparks.com for more info!

Pete Thomas, drummer for Elvis Costello and the Attractions is getting inducted into the Rock and Roll Hall of Fame in March!  Many of you will know Pete through Elvis’ music and of course, for his expert drumming with Squeeze for a brief, but noble tenure in the 90’s.  I met Pete in Ohio when I was running my video show in ’92.  We reconnected backstage at an Elvis show at Shepherd’s Bush Empire when I moved to London and I’ve been pals with Pete and his lovely family ever since!  So congrats to Pete!  If you have a chance, whip out the old Elvis albums and thrill to his drumming greatness on classic tunes like “Lipstick Vogue”, “I Don’t Want To Go To Chelsea”, “What’s so funny about Peace, Love and Understanding”, “New Lace Sleeves” and enjoy his continued genius on the latest EC album “When I was Cruel”.  (Let’s not forget “Third Rail” as well!)  Check out more on cheeky Pete at www.petethomasdrums.com.

Pete’s teenage daughter Tennessee is also a drummer and a groover and she has her own band called The Like.  (You may have noticed EC wearing an ‘I Like the Like’ badge in Vanity Fair Magazine recently)  Go to her website at www.Ilikethelike.com. You’ll like the like as well!  The band is made up of Tennessee on drums, Charlotte Froom on bass (Mitchell Froom’s daughter… Mitchell has produced EC, Paul Mc and my faves Crowded House) and PLAY producer Tony Berg’s daughter Z on vocals and guitar.

 love those lucky teens and you will too!

The glennmovie.com friends are out there and working their buns off and I’m happy for all of them!  Life rewards action!

Back to the action of “One For the Road”: After I finish all the transcription and all of the script writing, I’m hoping to begin editing the movie in a few weeks!  I’m going to put the trusty plastic in place and buy my own editing equipment and hope to complete OFTR in my own home rather than trying to get someone to donate their equipment (which I’ve already tried) or having to travel to someone else’s place to edit.  With the permission of my roommate, we are now turning the dining room into an edit suite!  I had to laugh… since I now have a camera, I will soon have editing equipment… all of a sudden, whilst living on dirt sandwiches, I’ve suddenly become my own production empire!  Today the dining room... tomorrow the world!  I’m also trying to come up with something fun for April, which is the first year anniversary of www.glennmovie.com!  Could it be that it was all so simple then... if we had the chance to do it all again.. would we…. etc… Stay tuned!!  Take care all of you and thanks for your continued patience and support.  Back to the donkey work!

You Rock!
Amyx


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